Havnelageret w/ Mother, Oslo, June 2022

Tracy's Emin's work, 'The Mother' alters and changes as you move across the waterfront. It is impossible to be out of her sight: her constant, resounding, eternal cry forces all to pause. Much of Tracy Emin's work is influenced by her lost child and maternal desire, and it is this very pain that can be found so audibly in the Oslofjorden. Options of backdrop present themselves endlessly, and these changes in perspective challenge and fascinate me as a photographer. It was a privilege to be in Oslo during the launch, and to see the instant influence of the work on the city. 
MUNCH, Oslo, June 2022
MUNCH, Oslo, June 2022
MUNCH, Oslo, June 2022
MUNCH, Oslo, June 2022
“It’s going to be fantastic, this giant bronze of my mum, this older woman, this old lady, taking root in front of the Munch Museum, protecting Munch’s work, legs open towards the fjord, welcoming travellers. I’m so happy about it, I never thought I’d get it.”
- Tracey Emin

'Irrepressible Mother', Oslo, June 2022

"This is pretty amazing. I might not have children and grandchildren, but I've got a legacy now. This will be here a long, long time. And I feel good, because it makes me realise that I'm here on this earth, I'm anchored, I know what I'm doing, and I'm doing it right. That's my child – it's The Mother."
- Tracey Emin

'Nebulotic', Oslo, June 2022

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